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Bad Feminist: Essays, by Roxane Gay
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New York Times Bestseller
A collection of essays spanning politics, criticism, and feminism from one of the most-watched young cultural observers of her generation, Roxane Gay.
“Pink is my favorite color. I used to say my favorite color was black to be cool, but it is pink—all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I’m not doing it ironically, though it might seem that way. I once live-tweeted the September issue.”
In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture.
Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.
- Sales Rank: #28560 in eBooks
- Published on: 2014-08-05
- Released on: 2014-08-05
- Format: Kindle eBook
Amazon.com Review
An Amazon Best Book of the Month, August 2014: "These essays are political and they are personal," Roxanne Gay announces in the introduction of Bad Feminist. "They are, like feminism, flawed, but they come from a genuine place." This place, as displayed throughout the course of her excellent essay collection, is also one of daring intelligence, imagination, and empathy. Gay leads by example. To combat the demeaning stereotype that feminists are humorless, Gay imbues her essays with levity. One of the best pieces comes early in the book when Gay competes in a Scrabble tournament and her success as a beginner angers her male opponents. It's smart and laugh-out-loud funny essay, and in a humbling turn, Gay herself finds a similar unwarranted frustration toward competitors when she begins losing. Bad Feminist represents Gay's body of personal essays and critical work over the past several years, and if the book has a slight misstep, it's that it sometimes feels like these are articles that have been published elsewhere. (For example, Gay's takedown of The Help is extraordinary, but the same arguments return repeatedly in pieces about other films.) Still, this is such a small complaint in a rare collection where each and every piece is vital and the book as a whole feels important. --Kevin Nguyen
Review
''(Audiobook narrator) Bahni Turpin crisply delivers this expansive collection of essays. Author Gay covers an array of political, feminist, and culturally charged topics. Turpin sounds like she's giving a well-informed speech with the right inflections to emphasize specific points. Her tone is clear and deliberate, forcing one to focus on the content. As she recounts personal stories and numerous critiques of films and books, she draws listeners in with a matter-of-fact tone. Both humorous and raw moments are delivered with sharp clarity. Whether the topic is Gay's nemesis when playing in a Scrabble championship or deconstructing rape jokes, Turpin delivers with an assertiveness that will catch listeners' attention.'' --AudioFile
''Smart readers cannot afford to miss these essays, which range from socially significant art (Girls, Django in Chains) and feminist issues (abortion) to politics (Chris Brown) and why Gay likes pink.'' --Library Journal
''With prodigious bravery and eviscerating humor, Roxane Gay takes on culture and politics in Bad Feminist -- and gets it right, time and time again. We should all be lucky enough to be such a bad feminist.'' --Ayelet Waldman, author of Love and Treasure and Bad Mother
''Roxane Gay is so great at weaving the intimate and personal with what is most bewildering and upsetting at this moment in culture. She is always looking, always thinking, always passionate, always careful, always right there.'' --Sheila Heti, author of How Should a Person Be?
''Gay's essays are consistently smart and provocative…Her essay collection will give you dinner-party conversation through September.'' --USA Today
''A trenchant collection…Whatever her topic, Gay's provocative essays stand out for their bravery, wit, and emotional honesty.'' --Publishers Weekly (starred review)
''A strikingly fresh cultural critic.'' --Washington Post
From the Back Cover
One of our most indispensable writers . . . on everything that matters
Most helpful customer reviews
4 of 4 people found the following review helpful.
I wanted to like this book
By Char King
I wanted to like this more than I did. At first I loved it. I felt like I related to Roxane Gay a lot. As the book went on, a lot of the essays seemed just to complain about many things in pop culture. I'd like to say she "critiqued" many things in pop culture, but it really seemed more like complaining after a while. It kind of droned about the things she doesn't like (like I'm doing right now--this is not lost on me, haha) without much insight into where those feature of our culture come from or how we can improve. It's not like she's not a great thinker, I just don't think it came through very well in some parts of the book. The first half was 5 stars, second half was 1 star.
1 of 1 people found the following review helpful.
It's always a struggle to find that perfect feminist stance
By C.Erickson
I didn’t know what to expect when opening a book entitled, “Bad Feminist.” I certainly didn’t expect to read about Gay’s devotion to the Sweet Valley High book series, or her obsession with competitive Scrabble, or her enjoyment of the Hunger Games books despite their literary pitfalls. She offers these reflections alongside essays lamenting violence against women and the LGBT community, and the depressing persistence of rape culture and racism. The latter essays tend to be gritty, factual, intensely-layered with a complex and nuanced perspective; they showcase her ability to imbibe culture in all its forms—media, news, movies, literature—and lay it out for us to see, think about, and agree or disagree with. In one notable essay, “The Solace of Preparing Fried Foods and Other Quaint Remembrances from 1960s Mississippi: Thoughts on The Help”, Gay bemoans the ever-lingering trope of the “magical negro” and its presence in movies and popular literature. She writes: “In The Help, there are not one but twelve or thirteen magical negroes who use their mystical powers to make the world a better place by sharing their stories of servitude and helping Eugenia ‘Skeeter’ Phelan grow out of her awkwardness and insecurity into a confident, racially aware, independent career woman. It’s an embarrassment of riches for fans of the magical negro trope” (Pg. 210). When I read this, other movies came to mind, such as The Green Mile, in which the person of color, John Coffey, significantly improves the lives of the white people in his life but doesn’t save himself from being put to death by electrocution. Coffey brings animals back to life and sucks cancer from a white woman’s body, accepting it not without distress and pain to his own person, and reassures the whites around him that he is ready to die, and in fact wants to die. Gay wishes for a day when people of color play characters other than a slave or a “magical negro” or a combination of the two; she wishes for a day when the script has a person of color performing significant acts for their own destiny and not for someone else.
In a world where people think increasingly in absolutist claims, such as We versus Them, and use increasingly simplified and stunted language that can hardly do justice to the many ways life is lived, Gay’s writing forces the reader to consider the infinite shades of gray that exist in the world beyond the black and white, and demands through her logic that people be allowed to thrive in a variety of lifestyles, modes, and cultures and be respected and loved—despite religion, skin color, gender, chosen life paths, and level of so-called femininity.
Isn’t this book about being a bad feminist? Yes, but Gay’s views of herself, what feminism means for her and what she thinks it should mean today are intertwined with her ruminations on literature and culture. There’s not just one right way to be a feminist; there’s the way of being who you are, plus feminism, and then you can be both, even if it doesn’t quite fit in the lines of what the perceived perfect feminist might be (for instance, Gay likes the color pink). As if sighing at the end of a lengthy conversation, she says in her last essay: “I am a mess of contradictions.” We are all; yet few of us are strong enough to admit it.
0 of 0 people found the following review helpful.
Bad Book.
By mike bonura
I purchased this book because it was a NY Times best seller, and because consider myself a feminist, or at least someone genuinely interested in educating myself about the issues women continue to face today. The book is formatted as a series of essays, which was originally appealing to me; however, some chapters go off on a tangent and just scrape the surface of anything regarding feminism. A large portion of the book focuses solely on race issues (not only regarding black women, but all black people). The title is deceiving, and the author merely describes her personal opinions which hold little value or weight to the reader. I was frustrated all the way through, waiting to learn something new, or see something in a new light, but I was disappointed.
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